By Valérie Simard Quartier Libre, Montreal, Canada November 2008
"Marie-Josée Saint-Pierre, director of McLaren's Negatives and Passages believes that a marriage between animation and documentary is possible. « Even if a documentary is claiming to reproduce reality, it cannot be totally objective. A documentary is a representation of reality that is altered by the director's eye. » Taking as an example Michael Moore's Fahrenheit 9/11 she says: « It's not the real portrait of the Americans, but the vision Michael Moore has of his fellow citizens. » "